{"id":34,"date":"2018-08-16T10:00:58","date_gmt":"2018-08-16T08:00:58","guid":{"rendered":"http:\/\/www.velvet-film.com\/?page_id=34"},"modified":"2025-01-03T15:48:34","modified_gmt":"2025-01-03T14:48:34","slug":"raoul-peck","status":"publish","type":"page","link":"https:\/\/www.velvet-film.com\/en\/raoul-peck\/","title":{"rendered":"Raoul peck","raw":"Raoul peck"},"content":{"rendered":"\n\n\t<section class=\"section imageBanner has-parallax\" id=\"section_1240352130\">\n\t\t<div class=\"section-bg fill\" data-parallax-container=\".section\" data-parallax-background data-parallax=\"-2\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1366\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/12\/Raoul-Peck_2-\u00a9Marie-Baronnet-2010-copie-1.jpg\" class=\"bg attachment-original size-original\" alt=\"\" \/>\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n\n\n  <div class=\"banner has-hover bannerMobileTitle\" id=\"banner-1876511857\">\n          <div class=\"banner-inner fill\">\n        <div class=\"banner-bg fill\" >\n                                                \n                    <\/div>\n\t\t\n        <div class=\"banner-layers container\">\n            <div class=\"fill banner-link\"><\/div>            \n\n   <div id=\"text-box-116881496\" class=\"text-box banner-layer x50 md-x50 lg-x50 y100 md-y100 lg-y100 res-text\">\n                     <div data-animate=\"fadeInUp\">           <div class=\"text-box-content text dark\">\n              \n              <div class=\"text-inner text-center\">\n                  \n<h1>RAOUL PECK<\/h1>\n              <\/div>\n           <\/div>\n       <\/div>                     \n<style>\n#text-box-116881496 {\n  margin: -0 0px 0px 0px;\n  width: 90%;\n}\n#text-box-116881496 .text-box-content {\n  background-color: rgb(0, 0, 0);\n  font-size: 100%;\n}\n#text-box-116881496 .text-inner {\n  padding: 10px 10px 15px 10px;\n}\n@media (min-width:550px) {\n  #text-box-116881496 .text-inner {\n    padding: 5px 5px 10px 5px;\n  }\n  #text-box-116881496 {\n    width: 77%;\n  }\n}\n@media (min-width:850px) {\n  #text-box-116881496 {\n    width: 37%;\n  }\n}\n<\/style>\n    <\/div>\n \n\n        <\/div>\n      <\/div>\n\n              <div class=\"height-fix is-invisible\"><\/div>\n            \n<style>\n#banner-1876511857 {\n  background-color: rgba(255, 255, 255, 0);\n}\n<\/style>\n  <\/div>\n\n\n\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1240352130 {\n  padding-top: 120px;\n  padding-bottom: 120px;\n  min-height: 550px;\n}\n#section_1240352130 .section-bg img {\n  object-position: 0% 49%;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section raoulPeck\" id=\"section_408150816\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n\n<div class=\"row row-large row-full-width align-center\"  id=\"row-842111384\">\n\n\n\t<div id=\"col-312491912\" class=\"col medium-8 small-12 large-8\"  data-animate=\"fadeInRight\">\n\t\t\t\t<div class=\"col-inner text-left\"  >\n\t\t\t\n\t\t\t\n\n\t<div id=\"gap-902099509\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-902099509 {\n  padding-top: 70px;\n}\n<\/style>\n\t<\/div>\n\t\n\nRaoul Peck is a director, screenwriter and producer. Born in Haiti, raised in the Congo, U.S., France and Germany, Peck earned an economic-engineering master\u2019s degree at the University of Berlin and then studied film at the Academy of Cinema and Television in Berlin (DFFB). In 1995, he created the Foundation Forum Eldorado, which focuses on cultural development in Haiti. He served as Haiti\u2019s Minister of Culture from 1996 to 1997, after two years as a professor for screenwriting and directing at NYU Tish school of the Arts graduate program. In 2010 he was appointed Chairman of La Fe\u0301mis in Paris, the prestigious French national film school. In 2001, the Human Rights Watch Organization awarded him with the Irene Diamond Lifetime Achievement Award. Peck established Velvet Film in 1989, which is now operating in the U.S., France and Haiti, and through which he has produced or co-produced all of his films. He served as jury member at the 2012 Cannes Film Festival, as well as jury member at the Berlinale in 2002, as well as Sundance and Tribeca. He is one of the most significant and prolific filmmakers of our time, richly rewarded for his historical, political and artistic work. His complex body of work includes such films as <em>The Man by the Shore<\/em> (Competition, Cannes 1993); <em>Lumumba<\/em> (Director\u2019s Fortnight, Cannes 2000, HBO); He produced and directed <em>Sometimes in April<\/em> for HBO on the genocide in Rwanda (Competition, Berlinale 2005); <em>Moloch Tropical<\/em> (Toronto and Berlin) and <em>The Young Karl Marx<\/em> (Berlinale 2017). His documentary films include: <em>Lumumba, Death of a Prophet<\/em>; <em>Fatal Assistance<\/em> (Berlinale and Hot Docs 2013). His latest documentary film, <em>I Am Not Your Negro<\/em> was nominated for Best Documentary Feature at the 89th Academy Awards and has won the Audience Award at both the Toronto and Berlin International Film Festivals, LA film critics best documentary award, the Best Documentary at the British Academy of Film and Television Arts (BAFTA) (U.K.) and the French national film award the C\u00e9sar, among many others.\n<p style=\"text-align: right;\"><strong>&nbsp;<\/strong><\/p>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-312491912 > .col-inner {\n  padding: 0px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-31638734\" class=\"col colSlider medium-10 small-12 large-10\"  data-animate=\"fadeInUp\">\n\t\t\t\t<div class=\"col-inner text-center text-shadow-5\"  >\n\t\t\t\n\t\t\t\n\n\t<div id=\"gap-1441853417\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1441853417 {\n  padding-top: 66px;\n}\n<\/style>\n\t<\/div>\n\t\n\n<div class=\"slider-wrapper relative\" id=\"slider-1628162282\" >\n    <div class=\"slider slider-nav-circle slider-nav-large slider-nav-light slider-style-normal\"\n        data-flickity-options='{\n            \"cellAlign\": \"center\",\n            \"imagesLoaded\": true,\n            \"lazyLoad\": 1,\n            \"freeScroll\": false,\n            \"wrapAround\": true,\n            \"autoPlay\": 6000,\n            \"pauseAutoPlayOnHover\" : true,\n            \"prevNextButtons\": true,\n            \"contain\" : true,\n            \"adaptiveHeight\" : true,\n            \"dragThreshold\" : 10,\n            \"percentPosition\": true,\n            \"pageDots\": true,\n            \"rightToLeft\": false,\n            \"draggable\": true,\n            \"selectedAttraction\": 0.1,\n            \"parallax\" : 0,\n            \"friction\": 0.6        }'\n        >\n        \n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1660767964\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner image-cover dark\" style=\"padding-top:56.25%;\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1385\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck.jpg 2048w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-600x406.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-300x203.jpg 300w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-768x519.jpg 768w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-1024x693.jpg 1024w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"caption\">Raoul Peck during the shooting of The Young Karl Marx<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1660767964 {\n  width: 90%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_935784184\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner image-cover dark\" style=\"padding-top:56.25%;\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"427\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/IMG_0016.jpeg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/IMG_0016.jpeg 640w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/IMG_0016-600x400.jpeg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/IMG_0016-300x200.jpeg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_935784184 {\n  width: 90%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1460631770\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner image-cover dark\" style=\"padding-top:56.25%;\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1365\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-August-Diehl-et-Vicky-Krieps-2015\u00a9Frederic-Batier-1.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-August-Diehl-et-Vicky-Krieps-2015\u00a9Frederic-Batier-1.jpg 2048w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-August-Diehl-et-Vicky-Krieps-2015\u00a9Frederic-Batier-1-600x400.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-August-Diehl-et-Vicky-Krieps-2015\u00a9Frederic-Batier-1-300x200.jpg 300w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-August-Diehl-et-Vicky-Krieps-2015\u00a9Frederic-Batier-1-768x512.jpg 768w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-August-Diehl-et-Vicky-Krieps-2015\u00a9Frederic-Batier-1-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"caption\">Raoul Peck during the shooting of The Young Karl Marx<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1460631770 {\n  width: 90%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1674184448\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner image-cover dark\" style=\"padding-top:56.25%;\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"427\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/IMG_0062.jpeg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/IMG_0062.jpeg 640w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/IMG_0062-600x400.jpeg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/IMG_0062-300x200.jpeg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"caption\">Raoul Peck and Idris Elba during the shooting of Sometimes in April<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1674184448 {\n  width: 90%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_837118945\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner image-cover dark\" style=\"padding-top:56.25%;\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1363\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-et-Vicky-Krieps-2015\u00a9Kris-Dewitt1-e1546009391974.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-et-Vicky-Krieps-2015\u00a9Kris-Dewitt1-e1546009391974.jpg 2048w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-et-Vicky-Krieps-2015\u00a9Kris-Dewitt1-e1546009391974-600x399.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-et-Vicky-Krieps-2015\u00a9Kris-Dewitt1-e1546009391974-300x200.jpg 300w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-et-Vicky-Krieps-2015\u00a9Kris-Dewitt1-e1546009391974-768x511.jpg 768w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck-et-Vicky-Krieps-2015\u00a9Kris-Dewitt1-e1546009391974-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"caption\">Raoul Peck during the shooting of The Young Karl Marx<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_837118945 {\n  width: 90%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_2007353670\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner image-cover dark\" style=\"padding-top:56.25%;\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1148\" height=\"816\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Haitian_Corner_tournage.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Haitian_Corner_tournage.jpg 1148w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Haitian_Corner_tournage-600x426.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Haitian_Corner_tournage-300x213.jpg 300w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Haitian_Corner_tournage-768x546.jpg 768w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Haitian_Corner_tournage-1024x728.jpg 1024w\" sizes=\"auto, (max-width: 1148px) 100vw, 1148px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"caption\">Raoul Peck during the shooting of Haitian Corner<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_2007353670 {\n  width: 90%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1340205978\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner image-cover dark\" style=\"padding-top:56.25%;\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1258\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck_2.png\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck_2.png 1920w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck_2-600x393.png 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck_2-300x197.png 300w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck_2-768x503.png 768w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Plateau-de-tournage-du-Jeune-Karl-Marx-Raoul-Peck_2-1024x671.png 1024w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"caption\">Raoul Peck during the shooting of The Young Karl Marx<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1340205978 {\n  width: 90%;\n}\n<\/style>\n\t<\/div>\n\t\n\n     <\/div>\n\n     <div class=\"loading-spin dark large centered\"><\/div>\n\n\t<\/div>\n\n\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-31638734 > .col-inner {\n  margin: 50px 0px 0 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-1125500560\" class=\"col hide-for-medium small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n\t<div id=\"gap-1394728275\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1394728275 {\n  padding-top: 25px;\n}\n<\/style>\n\t<\/div>\n\t\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1540062245\" class=\"col small-12 large-12\"  data-animate=\"fadeInUp\">\n\t\t\t\t<div class=\"col-inner text-center\"  >\n\t\t\t\n\t\t\t\n<h1>Filmography<\/h1>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1540062245 > .col-inner {\n  margin: 30px 0px 20px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\n\t<div id=\"col-737432726\" class=\"col medium-8 small-12 large-4\"  data-animate=\"fadeInRight\">\n\t\t\t\t<div class=\"col-inner text-left\"  >\n\t\t\t\n\t\t\t\n\n<h2>Feature Films<\/h2>\n<p><strong>1988<\/strong> : <em><strong>Haitian Corner<\/strong><\/em>&nbsp;: Locarno Film Festival 1988 Forum &#8211; Berlin Film Festival<br>\n<strong>1991<\/strong> : <em><strong>Lumumba &#8211; Death of the Prophet<\/strong><\/em> : Award for Best Documentary, Festival of Fribourg, New York Film Festival, Cinema du Reel<br>\n<strong>1993<\/strong> : <em><strong>The Man by the Shore<\/strong><\/em> : Competition, Festival de Cannes<br>\n<strong>2000<\/strong> : <em><strong>Lumumba<\/strong><\/em> : Director&#8217;s Fortnight, Festival de Cannes<br>\n<strong>2005<\/strong> : <em><strong>Sometimes in April<\/strong><\/em>&nbsp;: (HBO) Competition, Berlin International Film Festival<br>\n<strong>2005<\/strong> : <em><strong>Tropical Moloch<\/strong><\/em> : Toronto International Film Festival, Berlinale<br>\n<strong>2014<\/strong> <strong>: <em>Murder in Pacot <\/em><\/strong>: Toronto International Film Festival<br>\n<strong>2017<\/strong> : <em><strong>The Young Karl Marx<\/strong><\/em> :&nbsp; Berlin International Film Festival<\/p>\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-737432726 > .col-inner {\n  padding: 40px 20px 50px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-886779909\" class=\"col medium-8 small-12 large-4\"  data-animate=\"fadeInRight\">\n\t\t\t\t<div class=\"col-inner text-left\"  >\n\t\t\t\n\t\t\t\n\n<h2>Documentaries<\/h2>\n<p><strong>1994<\/strong> : <em><strong>Desounen&nbsp;: Dialogue with Death<\/strong><\/em> (BBC, ARTE) NAAEE Film and Video Festival<br>\n<strong>1994<\/strong> : <em><strong>Haiti, the Silence of the Dogs<\/strong><\/em><br>\n<strong>2001<\/strong> : <em><strong>The Profit and Nothing But!<\/strong><\/em><br>\n<strong>2013<\/strong> : <strong><em>Fatal Assistance<\/em> :<\/strong>&nbsp;Berlin International Film Festival<br>\n<strong>2016<\/strong> :<em><strong> I Am Not Your Negro<\/strong><\/em> : Oscar\u00ae-nominee, TIFF, New York Film Festival, Berlinale Panorama, BAFTA and C\u00e9sar-Winning documentary<\/p>\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-886779909 > .col-inner {\n  padding: 40px 20px 50px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-725356102\" class=\"col medium-8 small-12 large-4\"  data-animate=\"fadeInRight\">\n\t\t\t\t<div class=\"col-inner text-left\"  >\n\t\t\t\n\t\t\t\n<h2>TV Drama<\/h2>\n<p><strong>1997<\/strong> : <strong><em>Corps Plong\u00e9s<\/em>&nbsp;<\/strong>: Montreal Festival<br>\n<strong>2006<\/strong> :<em><strong> L&#8217;Affaire Villemin<\/strong><\/em>&nbsp; : (6&#215;60 &#8216;, ARTE, France 3) Price of the Union of French Critics<br>\n<strong>2008<\/strong> : <strong><em>L\u2019\u00e9cole du Pouvoir<\/em>&nbsp;<\/strong>:(4&#215;60 &#8220;, CANAL +, ARTE) 4 Screens European Film Festival<\/p>\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-725356102 > .col-inner {\n  padding: 40px 20px 50px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\n<style>\n#row-842111384 > .col > .col-inner {\n  background-color: rgba(119, 25, 25, 0);\n}\n<\/style>\n<\/div>\n\n\t\t<\/div>\n\n\t\t\n<style>\n#section_408150816 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  background-color: rgb(255,255,255);\n}\n<\/style>\n\t<\/section>\n\t\n","protected":false,"raw":"<!-- wp:html -->\n[section class=\"imageBanner\" bg=\"1925\" bg_size=\"original\" bg_pos=\"0% 49%\" parallax=\"2\" padding=\"120px\" height=\"550px\"]\n\n[ux_banner bg_color=\"rgba(255, 255, 255, 0)\" class=\"bannerMobileTitle\"]\n\n[text_box width=\"37\" width__sm=\"90\" width__md=\"77\" margin=\"-0 0px 0px 0px\" padding=\"5px 5px 10px 5px\" padding__sm=\"10px 10px 15px 10px\" animate=\"fadeInUp\" position_x=\"50\" position_y=\"100\" bg=\"rgb(0, 0, 0)\"]\n<h1>RAOUL PECK<\/h1>\n[\/text_box]\n\n[\/ux_banner]\n\n[\/section]\n[section class=\"raoulPeck\" bg_color=\"rgb(255,255,255)\"]\n\n[row style=\"large\" col_bg=\"rgba(119, 25, 25, 0)\" width=\"full-width\" h_align=\"center\"]\n\n[col span=\"8\" span__sm=\"12\" padding=\"0px 20px 20px 20px\" align=\"left\" animate=\"fadeInRight\"]\n\n[gap height=\"70px\"]\n\nRaoul Peck is a director, screenwriter and producer. Born in Haiti, raised in the Congo, U.S., France and Germany, Peck earned an economic-engineering master\u2019s degree at the University of Berlin and then studied film at the Academy of Cinema and Television in Berlin (DFFB). In 1995, he created the Foundation Forum Eldorado, which focuses on cultural development in Haiti. He served as Haiti\u2019s Minister of Culture from 1996 to 1997, after two years as a professor for screenwriting and directing at NYU Tish school of the Arts graduate program. In 2010 he was appointed Chairman of La Fe\u0301mis in Paris, the prestigious French national film school. In 2001, the Human Rights Watch Organization awarded him with the Irene Diamond Lifetime Achievement Award. Peck established Velvet Film in 1989, which is now operating in the U.S., France and Haiti, and through which he has produced or co-produced all of his films. He served as jury member at the 2012 Cannes Film Festival, as well as jury member at the Berlinale in 2002, as well as Sundance and Tribeca. He is one of the most significant and prolific filmmakers of our time, richly rewarded for his historical, political and artistic work. His complex body of work includes such films as <em>The Man by the Shore<\/em> (Competition, Cannes 1993); <em>Lumumba<\/em> (Director\u2019s Fortnight, Cannes 2000, HBO); He produced and directed <em>Sometimes in April<\/em> for HBO on the genocide in Rwanda (Competition, Berlinale 2005); <em>Moloch Tropical<\/em> (Toronto and Berlin) and <em>The Young Karl Marx<\/em> (Berlinale 2017). His documentary films include: <em>Lumumba, Death of a Prophet<\/em>; <em>Fatal Assistance<\/em> (Berlinale and Hot Docs 2013). His latest documentary film, <em>I Am Not Your Negro<\/em> was nominated for Best Documentary Feature at the 89th Academy Awards and has won the Audience Award at both the Toronto and Berlin International Film Festivals, LA film critics best documentary award, the Best Documentary at the British Academy of Film and Television Arts (BAFTA) (U.K.) and the French national film award the C\u00e9sar, among many others.\n<p style=\"text-align: right;\"><strong>&nbsp;<\/strong><\/p>\n[\/col]\n[col span=\"10\" span__sm=\"12\" margin=\"50px 0px 0 0px\" align=\"center\" text_depth=\"5\" animate=\"fadeInUp\" class=\"colSlider\"]\n\n[gap height=\"66px\"]\n\n[ux_slider]\n\n[ux_image id=\"1586\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"Raoul Peck during the shooting of The Young Karl Marx\"]\n\n[ux_image id=\"1508\" image_size=\"original\" width=\"90\" height=\"56.25%\"]\n\n[ux_image id=\"1593\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"Raoul Peck during the shooting of The Young Karl Marx\"]\n\n[ux_image id=\"1507\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"Raoul Peck and Idris Elba during the shooting of Sometimes in April\"]\n\n[ux_image id=\"1590\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"Raoul Peck during the shooting of The Young Karl Marx\"]\n\n[ux_image id=\"1620\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"Raoul Peck during the shooting of Haitian Corner\"]\n\n[ux_image id=\"1592\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"Raoul Peck during the shooting of The Young Karl Marx\"]\n\n[\/ux_slider]\n\n[\/col]\n[col span__sm=\"12\" visibility=\"hide-for-medium\"]\n\n[gap height=\"25px\"]\n\n[\/col]\n[col span__sm=\"12\" margin=\"30px 0px 20px 0px\" align=\"center\" animate=\"fadeInUp\"]\n<h1>Filmography<\/h1>\n[\/col]\n\n[col span=\"4\" span__sm=\"12\" span__md=\"8\" padding=\"40px 20px 50px 20px\" align=\"left\" animate=\"fadeInRight\"]\n\n<h2>Feature Films<\/h2>\n<p><strong>1988<\/strong> : <em><strong>Haitian Corner<\/strong><\/em>&nbsp;: Locarno Film Festival 1988 Forum - Berlin Film Festival<br>\n<strong>1991<\/strong> : <em><strong>Lumumba - Death of the Prophet<\/strong><\/em> : Award for Best Documentary, Festival of Fribourg, New York Film Festival, Cinema du Reel<br>\n<strong>1993<\/strong> : <em><strong>The Man by the Shore<\/strong><\/em> : Competition, Festival de Cannes<br>\n<strong>2000<\/strong> : <em><strong>Lumumba<\/strong><\/em> : Director's Fortnight, Festival de Cannes<br>\n<strong>2005<\/strong> : <em><strong>Sometimes in April<\/strong><\/em>&nbsp;: (HBO) Competition, Berlin International Film Festival<br>\n<strong>2005<\/strong> : <em><strong>Tropical Moloch<\/strong><\/em> : Toronto International Film Festival, Berlinale<br>\n<strong>2014<\/strong> <strong>: <em>Murder in Pacot <\/em><\/strong>: Toronto International Film Festival<br>\n<strong>2017<\/strong> : <em><strong>The Young Karl Marx<\/strong><\/em> :&nbsp; Berlin International Film Festival<\/p>\n\n[\/col]\n[col span=\"4\" span__sm=\"12\" span__md=\"8\" padding=\"40px 20px 50px 20px\" align=\"left\" animate=\"fadeInRight\"]\n\n<h2>Documentaries<\/h2>\n<p><strong>1994<\/strong> : <em><strong>Desounen&nbsp;: Dialogue with Death<\/strong><\/em> (BBC, ARTE) NAAEE Film and Video Festival<br>\n<strong>1994<\/strong> : <em><strong>Haiti, the Silence of the Dogs<\/strong><\/em><br>\n<strong>2001<\/strong> : <em><strong>The Profit and Nothing But!<\/strong><\/em><br>\n<strong>2013<\/strong> : <strong><em>Fatal Assistance<\/em> :<\/strong>&nbsp;Berlin International Film Festival<br>\n<strong>2016<\/strong> :<em><strong> I Am Not Your Negro<\/strong><\/em> : Oscar\u00ae-nominee, TIFF, New York Film Festival, Berlinale Panorama, BAFTA and C\u00e9sar-Winning documentary<\/p>\n\n[\/col]\n[col span=\"4\" span__sm=\"12\" span__md=\"8\" padding=\"40px 20px 50px 20px\" align=\"left\" animate=\"fadeInRight\"]\n<h2>TV Drama<\/h2>\n<p><strong>1997<\/strong> : <strong><em>Corps Plong\u00e9s<\/em>&nbsp;<\/strong>: Montreal Festival<br>\n<strong>2006<\/strong> :<em><strong> L'Affaire Villemin<\/strong><\/em>&nbsp; : (6x60 ', ARTE, France 3) Price of the Union of French Critics<br>\n<strong>2008<\/strong> : <strong><em>L\u2019\u00e9cole du Pouvoir<\/em>&nbsp;<\/strong>:(4x60 \", CANAL +, ARTE) 4 Screens European Film Festival<\/p>\n\n[\/col]\n\n[\/row]\n\n[\/section]\n<!-- \/wp:html -->"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-blank.php","meta":{"_fr_post_content":"<!-- wp:flatsome\/uxbuilder -->\n[section bg=\"1925\" bg_size=\"original\" bg_pos=\"5% 10%\" padding=\"0px\" height=\"550px\" class=\"imageBanner\"]\n\n[ux_banner height=\"0%\" bg_color=\"rgba(255, 255, 255, 0)\" class=\"bannerMobileTitle\"]\n\n[text_box width=\"65\" width__sm=\"90\" width__md=\"80\" margin=\"0 0px 0px 0px\" padding=\"5px 10px 10px 10px\" padding__sm=\"10px 10px 15px 10px\" animate=\"fadeInUp\" position_x=\"50\" position_y=\"45\" bg=\"rgba(0, 0, 0, 0.773)\" border=\"0px 0px 0px 0px\" border_radius=\"0\"]\n\n<h1>RAOUL PECK<\/h1>\n\n[\/text_box]\n\n[\/ux_banner]\n\n[\/section]\n[section bg_color=\"rgb(255,255,255)\" class=\"raoulPeck\"]\n\n[row style=\"large\" col_bg=\"rgba(119, 25, 25, 0)\" width=\"full-width\" h_align=\"center\"]\n\n[col span=\"9\" span__sm=\"12\" padding=\"0px 83px 0px 20px\" align=\"left\" text_depth=\"1\" animate=\"fadeInRight\"]\n\n[gap height=\"70px\"]\n\n<p style=\"text-align: left;\">L\u2019oeuvre complexe de Raoul Peck comprend les films <em>L\u2019Homme sur les quais<\/em> (Comp\u00e9tition, Festival de Cannes 1993) ; <em>Lumumba<\/em> (Quinzaine des R\u00e9alisateurs, Festival de Cannes 2000) ; <em>Quelques jours en avril<\/em> (Comp\u00e9tition, Berlinale 2005) ; <em>Moloch Tropical<\/em> (TIFF 2009, Berlinale 2010) ou encore <em>Meurtre \u00e0 Pacot<\/em> (TIFF 2014, Berlinale 2015).<\/p>\n<p style=\"text-align: left;\">En 2017, son documentaire sur l\u2019\u00e9crivain James Baldwin,<em> I Am Not Your Negro<\/em>, a \u00e9t\u00e9 nomm\u00e9 \u00e0 l\u2019Oscar du meilleur documentaire et a remport\u00e9 le Prix du Public au Festival de Toronto et \u00e0 la Berlinale. En 2018, il a remport\u00e9 le BAFTA et le C\u00e9sar du meilleur documentaire.<\/p>\n<p style=\"text-align: left;\">Son dernier film, <em>Le Jeune Karl Marx<\/em>, co-produit avec Agat Films, a \u00e9t\u00e9 pr\u00e9sent\u00e9 \u00e0 la Berlinale la m\u00eame ann\u00e9e.<\/p>\n<p style=\"text-align: left;\">En 2002, Raoul Peck a \u00e9t\u00e9 membre du jury de la Berlinale et en 2012 de celui du Festival de Cannes. En 2001, la Human Rights Watch Association lui a d\u00e9cern\u00e9 le prix Irene Diamond Lifetime Achievement Award pour son engagement en faveur des droits humains.<strong>&nbsp;<\/strong><\/p>\n\n[\/col]\n[col span=\"10\" span__sm=\"12\" margin=\"50px 0px 0 0px\" align=\"center\" text_depth=\"5\" animate=\"fadeInUp\" class=\"colSlider\"]\n\n[gap height=\"66px\"]\n\n[ux_slider]\n\n[ux_image id=\"1586\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"true\"]\n\n[ux_image id=\"1508\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"true\"]\n\n[ux_image id=\"1593\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"true\"]\n\n[ux_image id=\"1507\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"true\"]\n\n[ux_image id=\"1590\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"true\"]\n\n[ux_image id=\"1620\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"true\"]\n\n[ux_image id=\"1592\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"true\"]\n\n\n[\/ux_slider]\n\n[\/col]\n[col span__sm=\"12\" visibility=\"hide-for-medium\"]\n\n[gap height=\"25px\"]\n\n\n[\/col]\n[col span=\"4\" span__sm=\"12\"]\n\n<p><iframe src=\"https:\/\/www.franceculture.fr\/player\/export-reecouter?content=fe7c48db-17dc-40a9-8dda-a8f355b516df\" width=\"481\" frameborder=\"0\" scrolling=\"no\" height=\"137\"><\/iframe><\/p>\n\n[\/col]\n[col span__sm=\"12\" margin=\"30px 0px 20px 0px\" align=\"center\" animate=\"fadeInUp\"]\n\n<h1>Filmographie<\/h1>\n\n[\/col]\n[col span=\"4\" span__sm=\"12\" span__md=\"8\" padding=\"40px 20px 50px 20px\" align=\"left\" animate=\"fadeInRight\"]\n\n<h2>Fictions<\/h2>\n<p><strong>1988<\/strong> :<strong>\u00a0<em>Haitian Corner<\/em><\/strong> : Locarno, Forum : Berlinale<br \/><strong>1993 : <em>L\u2019homme sur les quais<\/em><\/strong> : S\u00e9lection officielle, Festival de Cannes<br \/><strong>2000 : <em>Lumumba<\/em><\/strong> : Quinzaine des r\u00e9alisateurs, Festival de Cannes<br \/><strong>2005 : <em>Quelques jours en avril<\/em><\/strong> : Comp\u00e9tition officielle Berlinale<br \/><strong>2009 : <em>Moloch Tropical<\/em><\/strong> : Festival International de Toronto, Dubai 2009 : Berlin, Tribeca<br \/><strong>2014 : <em>Meurtre \u00e0 Pacot<\/em> :<\/strong> Festival International de Toronto, Berlinale<br \/><strong>2017 : <em>Le Jeune Karl Marx<\/em><\/strong> : Berlinale Gala<\/p>\n\n[\/col]\n[col span=\"5\" span__sm=\"12\" span__md=\"8\" padding=\"40px 20px 50px 20px\" align=\"left\" animate=\"fadeInRight\"]\n\n<h2>Documentaires<\/h2>\n<p><strong>1991 : <em>Lumumba, mort d\u2019un proph\u00e8te<\/em><\/strong> : Prix du meilleur documentaire Festival de Fribourg 1992, New York Film Festival, Cin\u00e9ma du R\u00e9el<br \/><strong>1994 : <em>Desounen, dialogue avec la mort<\/em><\/strong> (BBC, ARTE)<br \/><strong>1994 : <em>Ha\u00efti, le silence des chiens<\/em><\/strong> (ARTE)<br \/><strong>2001 : <em>Le profit et rien d\u2019autre !<\/em><\/strong> (ARTE, RTBF)<br \/><strong>2013 : <em>Assistance mortelle<\/em><\/strong> : Berlinale, San Francisco, Hot Docs<br \/><strong>2017 : <em>I Am Not Your Negro<\/em><\/strong> : TIFF 2016, New York Film Festival 2016, Berlinale Panorama 2017, Oscars 2017 (Nomination : meilleur documentaire), BAFTA 2018 (Vainqueur : meilleur documentaire, C\u00e9sar 2018 (Vainqueur : meilleur documentaire)<br \/><strong>2021 : <em>Exterminez toutes ces brutes<\/em><\/strong> : 4x6, Laur\u00e9at Peabody Award<br \/><strong>2023 : <em>Silver Dollar Road <\/em><\/strong>: Premi\u00e8re Mondiale au Festival International de Toronto<br \/><strong>2024 : <em>Ernest Cole, photographe<\/em><\/strong> : Premi\u00e8re mondiale au Festival de Cannes, laur\u00e9at de l'Oeil d'or<\/p>\n\n[\/col]\n[col span=\"3\" span__sm=\"12\" span__md=\"8\" padding=\"40px 20px 50px 20px\" align=\"left\" animate=\"fadeInRight\"]\n\n<h2>S\u00e9ries t\u00e9l\u00e9vis\u00e9es<\/h2>\n<p><strong>1997 : <em>Corps plong\u00e9s<\/em> : <\/strong>Festival de Montr\u00e9al<strong><br \/>2006 : <em>L\u2019Affaire Villemin<\/em><\/strong> (6x60\u2019, ARTE, France 3) : Prix de l\u2019union des critiques fran\u00e7ais<br \/><strong>2008 : <em>L\u2019\u00e9cole du Pouvoir<\/em><\/strong> (4x60\u2019, CANAL+, ARTE) : Festival Europ\u00e9en des 4 Ecrans<\/p>\n\n[\/col]\n\n[\/row]\n\n[\/section]\n\n<!-- \/wp:flatsome\/uxbuilder -->","_fr_post_name":"raoul-peck","_fr_post_excerpt":"","_fr_post_title":"Raoul Peck","_en_post_content":"<!-- wp:html -->\n[section class=\"imageBanner\" bg=\"1925\" bg_size=\"original\" bg_pos=\"0% 49%\" parallax=\"2\" padding=\"120px\" height=\"550px\"]\n\n[ux_banner bg_color=\"rgba(255, 255, 255, 0)\" class=\"bannerMobileTitle\"]\n\n[text_box width=\"37\" width__sm=\"90\" width__md=\"77\" margin=\"-0 0px 0px 0px\" padding=\"5px 5px 10px 5px\" padding__sm=\"10px 10px 15px 10px\" animate=\"fadeInUp\" position_x=\"50\" position_y=\"100\" bg=\"rgb(0, 0, 0)\"]\n<h1>RAOUL PECK<\/h1>\n[\/text_box]\n\n[\/ux_banner]\n\n[\/section]\n[section class=\"raoulPeck\" bg_color=\"rgb(255,255,255)\"]\n\n[row style=\"large\" col_bg=\"rgba(119, 25, 25, 0)\" width=\"full-width\" h_align=\"center\"]\n\n[col span=\"8\" span__sm=\"12\" padding=\"0px 20px 20px 20px\" align=\"left\" animate=\"fadeInRight\"]\n\n[gap height=\"70px\"]\n\nRaoul Peck is a director, screenwriter and producer. Born in Haiti, raised in the Congo, U.S., France and Germany, Peck earned an economic-engineering master\u2019s degree at the University of Berlin and then studied film at the Academy of Cinema and Television in Berlin (DFFB). In 1995, he created the Foundation Forum Eldorado, which focuses on cultural development in Haiti. He served as Haiti\u2019s Minister of Culture from 1996 to 1997, after two years as a professor for screenwriting and directing at NYU Tish school of the Arts graduate program. In 2010 he was appointed Chairman of La Fe\u0301mis in Paris, the prestigious French national film school. In 2001, the Human Rights Watch Organization awarded him with the Irene Diamond Lifetime Achievement Award. Peck established Velvet Film in 1989, which is now operating in the U.S., France and Haiti, and through which he has produced or co-produced all of his films. He served as jury member at the 2012 Cannes Film Festival, as well as jury member at the Berlinale in 2002, as well as Sundance and Tribeca. He is one of the most significant and prolific filmmakers of our time, richly rewarded for his historical, political and artistic work. His complex body of work includes such films as <em>The Man by the Shore<\/em> (Competition, Cannes 1993); <em>Lumumba<\/em> (Director\u2019s Fortnight, Cannes 2000, HBO); He produced and directed <em>Sometimes in April<\/em> for HBO on the genocide in Rwanda (Competition, Berlinale 2005); <em>Moloch Tropical<\/em> (Toronto and Berlin) and <em>The Young Karl Marx<\/em> (Berlinale 2017). His documentary films include: <em>Lumumba, Death of a Prophet<\/em>; <em>Fatal Assistance<\/em> (Berlinale and Hot Docs 2013). His latest documentary film, <em>I Am Not Your Negro<\/em> was nominated for Best Documentary Feature at the 89th Academy Awards and has won the Audience Award at both the Toronto and Berlin International Film Festivals, LA film critics best documentary award, the Best Documentary at the British Academy of Film and Television Arts (BAFTA) (U.K.) and the French national film award the C\u00e9sar, among many others.\n<p style=\"text-align: right;\"><strong>&nbsp;<\/strong><\/p>\n[\/col]\n[col span=\"10\" span__sm=\"12\" margin=\"50px 0px 0 0px\" align=\"center\" text_depth=\"5\" animate=\"fadeInUp\" class=\"colSlider\"]\n\n[gap height=\"66px\"]\n\n[ux_slider]\n\n[ux_image id=\"1586\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"Raoul Peck during the shooting of The Young Karl Marx\"]\n\n[ux_image id=\"1508\" image_size=\"original\" width=\"90\" height=\"56.25%\"]\n\n[ux_image id=\"1593\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"Raoul Peck during the shooting of The Young Karl Marx\"]\n\n[ux_image id=\"1507\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"Raoul Peck and Idris Elba during the shooting of Sometimes in April\"]\n\n[ux_image id=\"1590\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"Raoul Peck during the shooting of The Young Karl Marx\"]\n\n[ux_image id=\"1620\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"Raoul Peck during the shooting of Haitian Corner\"]\n\n[ux_image id=\"1592\" image_size=\"original\" width=\"90\" height=\"56.25%\" caption=\"Raoul Peck during the shooting of The Young Karl Marx\"]\n\n[\/ux_slider]\n\n[\/col]\n[col span__sm=\"12\" visibility=\"hide-for-medium\"]\n\n[gap height=\"25px\"]\n\n[\/col]\n[col span__sm=\"12\" margin=\"30px 0px 20px 0px\" align=\"center\" animate=\"fadeInUp\"]\n<h1>Filmography<\/h1>\n[\/col]\n\n[col span=\"4\" span__sm=\"12\" span__md=\"8\" padding=\"40px 20px 50px 20px\" align=\"left\" animate=\"fadeInRight\"]\n\n<h2>Feature Films<\/h2>\n<p><strong>1988<\/strong> : <em><strong>Haitian Corner<\/strong><\/em>&nbsp;: Locarno Film Festival 1988 Forum - Berlin Film Festival<br>\n<strong>1991<\/strong> : <em><strong>Lumumba - Death of the Prophet<\/strong><\/em> : Award for Best Documentary, Festival of Fribourg, New York Film Festival, Cinema du Reel<br>\n<strong>1993<\/strong> : <em><strong>The Man by the Shore<\/strong><\/em> : Competition, Festival de Cannes<br>\n<strong>2000<\/strong> : <em><strong>Lumumba<\/strong><\/em> : Director's Fortnight, Festival de Cannes<br>\n<strong>2005<\/strong> : <em><strong>Sometimes in April<\/strong><\/em>&nbsp;: (HBO) Competition, Berlin International Film Festival<br>\n<strong>2005<\/strong> : <em><strong>Tropical Moloch<\/strong><\/em> : Toronto International Film Festival, Berlinale<br>\n<strong>2014<\/strong> <strong>: <em>Murder in Pacot <\/em><\/strong>: Toronto International Film Festival<br>\n<strong>2017<\/strong> : <em><strong>The Young Karl Marx<\/strong><\/em> :&nbsp; Berlin International Film Festival<\/p>\n\n[\/col]\n[col span=\"4\" span__sm=\"12\" span__md=\"8\" padding=\"40px 20px 50px 20px\" align=\"left\" animate=\"fadeInRight\"]\n\n<h2>Documentaries<\/h2>\n<p><strong>1994<\/strong> : <em><strong>Desounen&nbsp;: Dialogue with Death<\/strong><\/em> (BBC, ARTE) NAAEE Film and Video Festival<br>\n<strong>1994<\/strong> : <em><strong>Haiti, the Silence of the Dogs<\/strong><\/em><br>\n<strong>2001<\/strong> : <em><strong>The Profit and Nothing But!<\/strong><\/em><br>\n<strong>2013<\/strong> : <strong><em>Fatal Assistance<\/em> :<\/strong>&nbsp;Berlin International Film Festival<br>\n<strong>2016<\/strong> :<em><strong> I Am Not Your Negro<\/strong><\/em> : Oscar\u00ae-nominee, TIFF, New York Film Festival, Berlinale Panorama, BAFTA and C\u00e9sar-Winning documentary<\/p>\n\n[\/col]\n[col span=\"4\" span__sm=\"12\" span__md=\"8\" padding=\"40px 20px 50px 20px\" align=\"left\" animate=\"fadeInRight\"]\n<h2>TV Drama<\/h2>\n<p><strong>1997<\/strong> : <strong><em>Corps Plong\u00e9s<\/em>&nbsp;<\/strong>: Montreal Festival<br>\n<strong>2006<\/strong> :<em><strong> L'Affaire Villemin<\/strong><\/em>&nbsp; : (6x60 ', ARTE, France 3) Price of the Union of French Critics<br>\n<strong>2008<\/strong> : <strong><em>L\u2019\u00e9cole du Pouvoir<\/em>&nbsp;<\/strong>:(4x60 \", CANAL +, ARTE) 4 Screens European Film Festival<\/p>\n\n[\/col]\n\n[\/row]\n\n[\/section]\n<!-- \/wp:html -->","_en_post_name":"raoul-peck","_en_post_excerpt":"","_en_post_title":"Raoul peck","edit_language":"en","footnotes":""},"class_list":["post-34","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - 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