{"id":36,"date":"2018-08-16T10:01:27","date_gmt":"2018-08-16T08:01:27","guid":{"rendered":"http:\/\/www.velvet-film.com\/?page_id=36"},"modified":"2025-12-17T12:11:26","modified_gmt":"2025-12-17T11:11:26","slug":"films","status":"publish","type":"page","link":"https:\/\/www.velvet-film.com\/en\/films\/","title":{"rendered":"Films","raw":"Films"},"content":{"rendered":"<p>\n\t<section class=\"section imageBanner\" id=\"section_166433864\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1235\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Homme-sur-le-quai_2.jpg\" class=\"bg attachment-original size-original\" alt=\"\" \/>\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t<\/p>\n<p>\t\t<\/div>\n\n\t\t\n<style>\n#section_166433864 {\n  padding-top: 60px;\n  padding-bottom: 60px;\n  min-height: 550px;\n}\n#section_166433864 .section-bg img {\n  object-position: 100% 52%;\n}\n<\/style>\n\t<\/section>\n\t<br \/>\n\n\t<section class=\"section\" id=\"section_1984021550\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t<\/p>\n<p><div class=\"row row-large row-full-width align-middle align-center\"  id=\"row-1303539302\"><\/p>\n<p>\n\t<div id=\"col-1090822991\" class=\"col tab medium-10 small-12 large-10\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t<\/p>\n<p>\n\t\t<div class=\"tabbed-content\">\n\t\t\t\n\t\t\t<ul class=\"nav nav-outline nav-uppercase nav-size-xlarge nav-left\" role=\"tablist\"><li id=\"tab-filmography\" class=\"tab active has-icon\" role=\"presentation\"><a href=\"#tab_filmography\" role=\"tab\" aria-selected=\"true\" aria-controls=\"tab_filmography\"><span>Filmography<\/span><\/a><\/li>\n<li id=\"tab-upcoming-films\" class=\"tab has-icon\" role=\"presentation\"><a href=\"#tab_upcoming-films\" tabindex=\"-1\" role=\"tab\" aria-selected=\"false\" aria-controls=\"tab_upcoming-films\"><span>Upcoming films<\/span><\/a><\/li><\/ul><div class=\"tab-panels\"><div id=\"tab_filmography\" class=\"panel active entry-content\" role=\"tabpanel\" aria-labelledby=\"tab-filmography\"><\/p>\n<p><div class=\"row row-large row-full-width align-middle align-center\"  id=\"row-1788777066\"><\/p>\n<p>\n\t<div id=\"col-2129454816\" class=\"col zIndex medium-6 small-12 large-6\"  data-animate=\"fadeInUp\">\n\t\t\t\t<div class=\"col-inner text-center text-shadow-5\"  >\n\t\t\t\n\t\t\t<\/p>\n<p><div class=\"searchform-wrapper ux-search-box relative form-flat is-normal\"><form role=\"search\" method=\"get\" class=\"searchform\" action=\"https:\/\/www.velvet-film.com\/en\/\">\n\t<div class=\"flex-row relative\">\n\t\t\t\t\t\t<div class=\"flex-col flex-grow\">\n\t\t\t<label class=\"screen-reader-text\" for=\"woocommerce-product-search-field-1\">Search for:<\/label>\n\t\t\t<input type=\"search\" id=\"woocommerce-product-search-field-1\" class=\"search-field mb-0\" placeholder=\"    \" value=\"\" name=\"s\" \/>\n\t\t\t<input type=\"hidden\" name=\"post_type\" value=\"product\" \/>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"flex-col\">\n\t\t\t<button type=\"submit\" value=\"Search\" class=\"ux-search-submit submit-button secondary button  icon mb-0\" aria-label=\"Submit\">\n\t\t\t\t<i class=\"icon-search\" aria-hidden=\"true\"><\/i>\t\t\t<\/button>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"live-search-results text-left z-top\"><\/div>\n<\/form>\n<\/div><\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-2129454816 > .col-inner {\n  margin: 50px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<\/p>\n<p>\n<style>\n#row-1788777066 > .col > .col-inner {\n  background-color: rgba(119, 25, 25, 0);\n}\n<\/style>\n<\/div><br \/>\n<div class=\"row row-full-width align-center afficheRow row-box-shadow-3 row-box-shadow-5-hover\"  id=\"row-1441064706\"><\/p>\n<p>\n\t<div id=\"col-1110680406\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/the-young-karl-marx\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Marx_affiche.png\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Marx_affiche.png 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Marx_affiche-600x830.png 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Marx_affiche-217x300.png 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Marx_affiche-740x1024.png 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t<div class=\"overlay\" style=\"background-color:rgba(255, 255, 255, 0)\"><\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/the-young-karl-marx\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>THE YOUNG KARL MARK<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1110680406 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-1231470402\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:#ececec;\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/i-am-not-your-negro\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/IANYN_120X160_affiche.jpg\" class=\"attachment- size-\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/IANYN_120X160_affiche.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/IANYN_120X160_affiche-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/IANYN_120X160_affiche-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/IANYN_120X160_affiche-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/i-am-not-your-negro\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>I AM NOT YOUR NEGRO<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1231470402 > .col-inner {\n  padding: 0px 0px px 0px;\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-552339293\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/soley\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Soley-\u220f-Yann-Levy-IMG_affiche.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Soley-\u220f-Yann-Levy-IMG_affiche.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Soley-\u220f-Yann-Levy-IMG_affiche-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Soley-\u220f-Yann-Levy-IMG_affiche-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Soley-\u220f-Yann-Levy-IMG_affiche-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/soley\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>SOLEY<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-552339293 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-2125763680\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/mord-in-pacot-2014\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Meurtre-a-pacot_affiche.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Meurtre-a-pacot_affiche.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Meurtre-a-pacot_affiche-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Meurtre-a-pacot_affiche-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Meurtre-a-pacot_affiche-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/mord-in-pacot-2014\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>MURDER IN PACOT<\/span>\n\t<\/a>\n<\/p>\n<p>&nbsp;<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>&nbsp;<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-2125763680 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-601852679\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/russian-utopia\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Utopie-Russe_affiche-2.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Utopie-Russe_affiche-2.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Utopie-Russe_affiche-2-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Utopie-Russe_affiche-2-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Utopie-Russe_affiche-2-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/russian-utopia\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>Russian Utopia<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-601852679 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-1147238856\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/deported\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/deported_affiche.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/deported_affiche.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/deported_affiche-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/deported_affiche-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/deported\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>Deported<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1147238856 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-1908353309\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/fatal-assistance-2013\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Assistance_affiche.png\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Assistance_affiche.png 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Assistance_affiche-600x830.png 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Assistance_affiche-217x300.png 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Assistance_affiche-740x1024.png 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/fatal-assistance-2013\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>Fatal assistance<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1908353309 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-190427019\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:#ececec;\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/moloch-tropical\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/08\/Moloch-1.png\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/08\/Moloch-1.png 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/08\/Moloch-1-600x830.png 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/08\/Moloch-1-217x300.png 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/08\/Moloch-1-740x1024.png 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/moloch-tropical\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>Moloch tropical<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-190427019 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-32476757\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/lecole-du-pouvoir\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Lecoledupouvoir_affiche.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Lecoledupouvoir_affiche.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Lecoledupouvoir_affiche-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Lecoledupouvoir_affiche-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Lecoledupouvoir_affiche-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/lecole-du-pouvoir\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>L'\u00e9cole du pouvoir<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-32476757 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-1022607096\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/laffaire-villemin\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/affaire_villemin_affiche-1.png\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/affaire_villemin_affiche-1.png 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/affaire_villemin_affiche-1-600x830.png 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/affaire_villemin_affiche-1-217x300.png 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/affaire_villemin_affiche-1-740x1024.png 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t<div class=\"overlay\" style=\"background-color:rgba(255, 255, 255, 0)\"><\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/laffaire-villemin\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>L'affaire villemin<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1022607096 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-1502711168\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/sometimes-in-april\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Sometimes_in_april_affiche.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Sometimes_in_april_affiche.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Sometimes_in_april_affiche-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Sometimes_in_april_affiche-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Sometimes_in_april_affiche-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/sometimes-in-april\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>Sometimes in april<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1502711168 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-1867926435\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/profit-and-nothing-but\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/le-profit_affiche.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/le-profit_affiche.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/le-profit_affiche-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/le-profit_affiche-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/le-profit_affiche-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/profit-and-nothing-but\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>Profit and nothing but !<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1867926435 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-368213964\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"http:\/\/www.velvet-film.com\/en\/films\/lumumba\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/AFF_LUMUMBA_affiche.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/AFF_LUMUMBA_affiche.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/AFF_LUMUMBA_affiche-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/AFF_LUMUMBA_affiche-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/AFF_LUMUMBA_affiche-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"http:\/\/www.velvet-film.com\/en\/films\/lumumba\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>Lumumba<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-368213964 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-469481249\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/suncken-bodies\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Corps_plonges_affiche.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Corps_plonges_affiche.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Corps_plonges_affiche-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Corps_plonges_affiche-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Corps_plonges_affiche-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/suncken-bodies\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>Sunken bodies<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-469481249 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-225211151\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"http:\/\/www.velvet-film.com\/films\/desounen\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Desounen-dialogue-with-death_affiche.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Desounen-dialogue-with-death_affiche.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Desounen-dialogue-with-death_affiche-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Desounen-dialogue-with-death_affiche-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Desounen-dialogue-with-death_affiche-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"http:\/\/www.velvet-film.com\/films\/desounen\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>Desounen<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-225211151 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-1856277422\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/haiti-silence-of-the-dogs\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Haiti_silence_des_chiens_affiche.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Haiti_silence_des_chiens_affiche.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Haiti_silence_des_chiens_affiche-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Haiti_silence_des_chiens_affiche-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Haiti_silence_des_chiens_affiche-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/haiti-silence-of-the-dogs\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>Haiti silence of the dogs<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1856277422 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-1566231035\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/the-man-by-shore\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/HSLQ_affiche_Cannes-2.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/HSLQ_affiche_Cannes-2.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/HSLQ_affiche_Cannes-2-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/HSLQ_affiche_Cannes-2-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/HSLQ_affiche_Cannes-2-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/the-man-by-shore\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>The man by the shore<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1566231035 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-740214027\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/lumumba-death-of-a-prophet\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Lumumba_prophete_affiche-1.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Lumumba_prophete_affiche-1.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Lumumba_prophete_affiche-1-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Lumumba_prophete_affiche-1-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/Lumumba_prophete_affiche-1-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/lumumba-death-of-a-prophet\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>Lumumba, death of a prophet<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-740214027 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-1057432776\" class=\"col colAffiche medium-6 small-12 large-3\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(236, 236, 236);\" >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div class=\"box has-hover   has-hover box-bounce box-text-bottom\" >\n\n\t\t<div class=\"box-image\" >\n\t\t\t<a href=\"https:\/\/www.velvet-film.com\/en\/films\/haitian-corner\/\" >\t\t\t<div class=\"image-glow\" >\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1043\" src=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/affiche-haitian-corner_affiche.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/affiche-haitian-corner_affiche.jpg 754w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/affiche-haitian-corner_affiche-600x830.jpg 600w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/affiche-haitian-corner_affiche-217x300.jpg 217w, https:\/\/www.velvet-film.com\/wp-content\/uploads\/2018\/09\/affiche-haitian-corner_affiche-740x1024.jpg 740w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/a>\t\t<\/div>\n\n\t\t<div class=\"box-text text-left\" style=\"background-color:rgb(236, 236, 236);padding:0px 0px 0px 0px;\">\n\t\t\t<div class=\"box-text-inner\">\n\t\t\t\t<\/p>\n<p><a href=\"https:\/\/www.velvet-film.com\/en\/films\/haitian-corner\/\" class=\"button primary is-link is-larger buttonAffiche\" >\n\t\t<span>Haitian corner<\/span>\n\t<\/a>\n<\/p>\n<p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1057432776 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<\/p>\n<p>\n<style>\n#row-1441064706 > .col > .col-inner {\n  padding: 0px 0px 0px 0px;\n}\n<\/style>\n<\/div><\/p>\n<p><\/div>\n<div id=\"tab_upcoming-films\" class=\"panel entry-content\" role=\"tabpanel\" aria-labelledby=\"tab-upcoming-films\"><\/p>\n<p><div class=\"row row-large row-full-width align-middle align-center\"  id=\"row-940264884\"><\/p>\n<p>\n\t<div id=\"col-1397513531\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner text-center\"  >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div id=\"gap-747264660\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-747264660 {\n  padding-top: 45px;\n}\n<\/style>\n\t<\/div>\n\t<\/p>\n<h1>ENFANT UNIQUE<\/h1>\n<h3>Linbo Wang<\/h3>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1397513531 > .col-inner {\n  margin: 30px 0px -1px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-783663600\" class=\"col medium-10 small-12 large-10\"  >\n\t\t\t\t<div class=\"col-inner text-left\"  >\n\t\t\t\n\t\t\t<\/p>\n<h2>Synopsis<\/h2>\n<p>In 2016, China officially abolished the one-child policy that had existed since 1980. With this film, I will tell the true story of my birth. I will try to reconstruct this reality while proposing a broader story than mine &#8230; 1984. The one-child policy is at its peak in China. Yet Ya is pregnant with a second child. Ya is a teacher and Zhou is a country doctor. She and her husband find a pretext to go to Shanghai (400 km from their home), in order to escape gynecological control. Under this national policy, city inhabitants can only have one child, while peasants are allowed to have a second child if their first is a girl. This is the case of Zhou and Ya. But their district imposes an extremist policy: city or countryside, only one child. He, the village chief does everything to know where Ya is and will denounce her if she is pregnant. Ya hides in different locations, while Zhou tells everyone that she stayed in Shanghai. The child-policy controllers are quickly threatening Zhou and Ya to arrest them and their family members and they conduct extensive searches throughout the region. Ya must go through several hiding places. When Ya reappears, the controllers come to her house immediately with He. They force her to go to the city to have an abortion. She and Zhou are cooperative in going to the hospital. With the help of doctors and friends, Ya escapes abortion in extremis. In front of fifty controllers, Zhou is doing everything to delay Ya&#8217;s presentation to the committee, the latter being in her eighth month of pregnancy. In their house, Zhou provokes the birth of Ya, who gives birth to a boy. As a result, they will be fired from their jobs and will work as peasants for three years, until, after several petitions, Beijing will allow Ya and Zhou to resume their posts.<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t<\/p>\n<p>\n<style>\n#row-940264884 > .col > .col-inner {\n  padding: 0px 0px 0px 0px;\n}\n<\/style>\n<\/div><br \/>\n<div class=\"row row-large row-full-width align-middle align-center\"  id=\"row-1790926064\"><\/p>\n<p>\n\t<div id=\"col-902717417\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner text-center\"  >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div id=\"gap-1356154881\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1356154881 {\n  padding-top: 70px;\n}\n<\/style>\n\t<\/div>\n\t<\/p>\n<h1>LE VOYAGE<\/h1>\n<h3>Ines Eshun<\/h3>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-902717417 > .col-inner {\n  margin: 30px 0px -1px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-801152725\" class=\"col medium-10 small-12 large-10\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t<\/p>\n<h2>Synopsis<\/h2>\n<p>Present day Brussels, winter. GEORGE (62), a man with West-African roots, lives in the streets. His daily life is a harsh reality, trying to stay warm, find food and places to sleep. Meanwhile CLARA (30), a young woman of mixed descent, lives an independent life in the same city. She has a good job as an architect in an up-and-coming firm, friends and occasional lovers. \u2028\u2028One morning, after waking up in a shelter, George gets caught up in a fight and arrested. When the police find out George is illegal, he is sent to a detention centre for immigrants. The government wants to deport him. A social worker discovers that George has been in Europe for 35 years and that he has a Belgian daughter with whom he is not in contact. The social worker contacts George\u2019s daughter. Her name is Clara&#8230;<br \/>\nGrowing up with her mother, Clara never knew who her father was. Called to the deportation centre, she is told that George is her father. It becomes clear to George that his options to stay in the country are running out. Clara has to struggle with her daily life (the major project she is working on is endangered) while accepting the truth about her father. At the deportation centre, a Congolese man hung himself. A riot breaks out; George participates. Clara comes to visit her father and see how she can help him but is denied access due to the riot. She leaves, not knowing if she will be able to see George again before the deportation. Clara confronts her mother TANIA (49) about the past. A family secret comes out: even though George and Tania were in love, under the pressure of Clara&#8217;s xenophobic grandparents, the contact between George and Clara was broken, with catastrophic results for George. The day of the deportation, Clara comes to the airport looking for George. She finds him; they are able to see each other. Clara stays behind in the customs, powerless while George boards his flight.<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-801152725 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<\/p>\n<p>\n<style>\n#row-1790926064 > .col > .col-inner {\n  padding: 0px 0px 0px 0px;\n}\n<\/style>\n<\/div><br \/>\n<div class=\"row row-large row-full-width align-middle align-center\"  id=\"row-334101947\"><\/p>\n<p>\n\t<div id=\"col-1730322681\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner text-center\"  >\n\t\t\t\n\t\t\t<\/p>\n<p>\t<div id=\"gap-1275087922\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1275087922 {\n  padding-top: 70px;\n}\n<\/style>\n\t<\/div>\n\t<\/p>\n<h1>FANON \/ LES CRIS<\/h1>\n<h3>Raoul Peck<\/h3>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1730322681 > .col-inner {\n  margin: 30px 0px -1px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<br \/>\n\n\t<div id=\"col-1754837305\" class=\"col medium-10 small-12 large-10\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t<\/p>\n<h2>Synopsis<\/h2>\n<p>Like many West Indians from his generation, in 1944, Frantz Fanon left his island to join the troops of \u201cLa France Libre\u201d at only 18 years old. He will be granted a medal for his achievements in the field of honour, from the hands of Raoul Salan, a military general who will later serve in Algeria and join a mutiny. By the end of 1953, Fanon is a psychiatric doctor and is nominated at the Blida Hospital, in French Algeria. With his young wife Josie, he settles in the hospital complex and starts his work in a context marred with paternalism and racism, where doctors consider the Arabs as \u201cscientifically inferior\u201d. Passionate and impatient, Fanon wants to revolutionise both mentalities and methods in the psychiatric asylum, by launching common activities for patients and medics, though more dialogue and group therapy. With the help of a few of his young junior doctors, he profoundly changes the practice at the hospital, despite the opposition of others doctors, while, a few months later, the first violent incidents of what will become the \u201cAlgerian War\u201d are increasingly multiplying. Fanon is absorbed in a spiral of violence and has to deal with the consequences of the use of torture by both the French army and the Algerian freedom fighters. The psychological effects of this level of violence, on both sides, become the central point of his research. Finally, he will have to choose between a total engagement for the Algerian rebellion or complicity with the French system. Threatened to death by the radicals of French Algeria and unable to adequately pursue his medical duty, he will decide to quit his position and to join the FLN, the Algerian National Liberation Front. Suddenly stricken with leukaemia, he will die at 36 years old, only a few months before Algeria gains its independence, and just after achieving his masterpiece, the essay The Wretched of the Earth, which will establish him as one of the greatest thinkers of the decolonisation movement.<\/p>\n<p>\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1754837305 > .col-inner {\n  margin: 0px 0px 40px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t<\/p>\n<p>\n<style>\n#row-334101947 > .col > .col-inner {\n  padding: 0px 0px 0px 0px;\n}\n<\/style>\n<\/div><\/p>\n<p><\/div><\/div><\/div><\/p>\n<p>\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t<\/p>\n<p>\n<style>\n#row-1303539302 > .col > .col-inner {\n  background-color: rgba(119, 25, 25, 0);\n}\n<\/style>\n<\/div><\/p>\n<p>\t\t<\/div>\n\n\t\t\n<style>\n#section_1984021550 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  background-color: rgb(255,255,255);\n}\n<\/style>\n\t<\/section>\n\t<\/p>\n","protected":false,"raw":"[section class=\"imageBanner\" bg=\"647\" 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link=\"http:\/\/www.velvet-film.com\/en\/films\/lumumba-death-of-a-prophet\/\"]\r\n\r\n[\/ux_image_box]\r\n\r\n[\/col_inner]\r\n[col_inner span=\"3\" span__sm=\"12\" span__md=\"6\" margin=\"0px 0px 40px 0px\" bg_color=\"rgb(236, 236, 236)\" class=\"colAffiche\"]\r\n\r\n[ux_image_box style=\"bounce\" img=\"1840\" image_size=\"original\" image_hover=\"glow\" link=\"http:\/\/www.velvet-film.com\/en\/films\/haitian-corner\/\" text_align=\"left\" text_bg=\"rgb(236, 236, 236)\" text_padding=\"0px 0px 0px 0px\"]\r\n\r\n[button text=\"Haitian corner\" class=\"buttonAffiche\" style=\"link\" size=\"larger\" link=\"http:\/\/www.velvet-film.com\/en\/films\/haitian-corner\/\"]\r\n\r\n[\/ux_image_box]\r\n\r\n[\/col_inner]\r\n\r\n[\/row_inner]\r\n\r\n[\/tab]\r\n[tab title=\"Upcoming films\"]\r\n\r\n[row_inner style=\"large\" width=\"full-width\" v_align=\"middle\" h_align=\"center\" padding=\"0px 0px 0px 0px\"]\r\n\r\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\r\n\r\n[gap height=\"45px\"]\r\n<h1>ENFANT UNIQUE<\/h1>\r\n<h3>Linbo Wang<\/h3>\r\n[\/col_inner]\r\n[col_inner span=\"10\" span__sm=\"12\" align=\"left\"]\r\n<h2>Synopsis<\/h2>\r\nIn 2016, China officially abolished the one-child policy that had existed since 1980. With this film, I will tell the true story of my birth. I will try to reconstruct this reality while proposing a broader story than mine ... 1984. The one-child policy is at its peak in China. Yet Ya is pregnant with a second child. Ya is a teacher and Zhou is a country doctor. She and her husband find a pretext to go to Shanghai (400 km from their home), in order to escape gynecological control. Under this national policy, city inhabitants can only have one child, while peasants are allowed to have a second child if their first is a girl. This is the case of Zhou and Ya. But their district imposes an extremist policy: city or countryside, only one child. He, the village chief does everything to know where Ya is and will denounce her if she is pregnant. Ya hides in different locations, while Zhou tells everyone that she stayed in Shanghai. The child-policy controllers are quickly threatening Zhou and Ya to arrest them and their family members and they conduct extensive searches throughout the region. Ya must go through several hiding places. When Ya reappears, the controllers come to her house immediately with He. They force her to go to the city to have an abortion. She and Zhou are cooperative in going to the hospital. With the help of doctors and friends, Ya escapes abortion in extremis. In front of fifty controllers, Zhou is doing everything to delay Ya's presentation to the committee, the latter being in her eighth month of pregnancy. In their house, Zhou provokes the birth of Ya, who gives birth to a boy. As a result, they will be fired from their jobs and will work as peasants for three years, until, after several petitions, Beijing will allow Ya and Zhou to resume their posts.\r\n\r\n[\/col_inner]\r\n\r\n[\/row_inner]\r\n[row_inner style=\"large\" width=\"full-width\" v_align=\"middle\" h_align=\"center\" padding=\"0px 0px 0px 0px\"]\r\n\r\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\r\n\r\n[gap height=\"70px\"]\r\n<h1>LE VOYAGE<\/h1>\r\n<h3>Ines Eshun<\/h3>\r\n[\/col_inner]\r\n[col_inner span=\"10\" span__sm=\"12\" margin=\"0px 0px 40px 0px\"]\r\n<h2>Synopsis<\/h2>\r\nPresent day Brussels, winter. GEORGE (62), a man with West-African roots, lives in the streets. His daily life is a harsh reality, trying to stay warm, find food and places to sleep. Meanwhile CLARA (30), a young woman of mixed descent, lives an independent life in the same city. She has a good job as an architect in an up-and-coming firm, friends and occasional lovers. \u2028\u2028One morning, after waking up in a shelter, George gets caught up in a fight and arrested. When the police find out George is illegal, he is sent to a detention centre for immigrants. The government wants to deport him. A social worker discovers that George has been in Europe for 35 years and that he has a Belgian daughter with whom he is not in contact. The social worker contacts George\u2019s daughter. Her name is Clara...\r\nGrowing up with her mother, Clara never knew who her father was. Called to the deportation centre, she is told that George is her father. It becomes clear to George that his options to stay in the country are running out. Clara has to struggle with her daily life (the major project she is working on is endangered) while accepting the truth about her father. At the deportation centre, a Congolese man hung himself. A riot breaks out; George participates. Clara comes to visit her father and see how she can help him but is denied access due to the riot. She leaves, not knowing if she will be able to see George again before the deportation. Clara confronts her mother TANIA (49) about the past. A family secret comes out: even though George and Tania were in love, under the pressure of Clara's xenophobic grandparents, the contact between George and Clara was broken, with catastrophic results for George. The day of the deportation, Clara comes to the airport looking for George. She finds him; they are able to see each other. Clara stays behind in the customs, powerless while George boards his flight.\r\n\r\n[\/col_inner]\r\n\r\n[\/row_inner]\r\n[row_inner style=\"large\" width=\"full-width\" v_align=\"middle\" h_align=\"center\" padding=\"0px 0px 0px 0px\"]\r\n\r\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\r\n\r\n[gap height=\"70px\"]\r\n<h1>FANON \/ LES CRIS<\/h1>\r\n<h3>Raoul Peck<\/h3>\r\n[\/col_inner]\r\n[col_inner span=\"10\" span__sm=\"12\" margin=\"0px 0px 40px 0px\"]\r\n<h2>Synopsis<\/h2>\r\nLike many West Indians from his generation, in 1944, Frantz Fanon left his island to join the troops of \u201cLa France Libre\u201d at only 18 years old. He will be granted a medal for his achievements in the field of honour, from the hands of Raoul Salan, a military general who will later serve in Algeria and join a mutiny. By the end of 1953, Fanon is a psychiatric doctor and is nominated at the Blida Hospital, in French Algeria. With his young wife Josie, he settles in the hospital complex and starts his work in a context marred with paternalism and racism, where doctors consider the Arabs as \u201cscientifically inferior\u201d. Passionate and impatient, Fanon wants to revolutionise both mentalities and methods in the psychiatric asylum, by launching common activities for patients and medics, though more dialogue and group therapy. With the help of a few of his young junior doctors, he profoundly changes the practice at the hospital, despite the opposition of others doctors, while, a few months later, the first violent incidents of what will become the \u201cAlgerian War\u201d are increasingly multiplying. Fanon is absorbed in a spiral of violence and has to deal with the consequences of the use of torture by both the French army and the Algerian freedom fighters. The psychological effects of this level of violence, on both sides, become the central point of his research. Finally, he will have to choose between a total engagement for the Algerian rebellion or complicity with the French system. Threatened to death by the radicals of French Algeria and unable to adequately pursue his medical duty, he will decide to quit his position and to join the FLN, the Algerian National Liberation Front. Suddenly stricken with leukaemia, he will die at 36 years old, only a few months before Algeria gains its independence, and just after achieving his masterpiece, the essay The Wretched of the Earth, which will establish him as one of the greatest thinkers of the decolonisation movement.\r\n\r\n[\/col_inner]\r\n\r\n[\/row_inner]\r\n\r\n[\/tab]\r\n\r\n[\/tabgroup]\r\n\r\n[\/col]\r\n\r\n[\/row]\r\n\r\n[\/section]"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-blank.php","meta":{"_fr_post_content":"<!-- wp:flatsome\/uxbuilder -->\n[section bg=\"649\" bg_size=\"original\" bg_pos=\"0% 60%\" padding=\"4px\" height=\"535px\" margin=\"0px\" class=\"imageBanner\"]\n\n\n[\/section]\n[section bg_color=\"rgb(255,255,255)\"]\n\n[row style=\"large\" col_bg=\"rgba(119, 25, 25, 0)\" width=\"full-width\" v_align=\"middle\" h_align=\"center\"]\n\n[col span=\"10\" 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link=\"http:\/\/www.velvet-film.com\/films\/lhomme-sur-les-quais\/\" text_align=\"left\" text_bg=\"rgb(236, 236, 236)\" text_padding=\"0px 0px 0px 0px\"]\n\n[button text=\"L'homme sur les quais\" style=\"link\" size=\"larger\" link=\"http:\/\/www.velvet-film.com\/films\/lhomme-sur-les-quais\/\" class=\"buttonAffiche\"]\n\n\n[\/ux_image_box]\n\n[\/col_inner]\n[col_inner span=\"3\" span__sm=\"12\" span__md=\"6\" margin=\"0px 0px 40px 0px\" bg_color=\"rgb(236, 236, 236)\" class=\"colAffiche\"]\n\n[ux_image_box style=\"bounce\" img=\"1847\" image_size=\"original\" image_hover=\"glow\" link=\"http:\/\/www.velvet-film.com\/films\/lumumba-la-mort-du-prophete-1991\/\" text_align=\"left\" text_bg=\"rgb(236, 236, 236)\" text_padding=\"0px 0px 0px 0px\"]\n\n[button text=\"Lumumba la mort du prophete\" style=\"link\" size=\"larger\" link=\"http:\/\/www.velvet-film.com\/films\/lumumba-la-mort-du-prophete-1991\/\" class=\"buttonAffiche\"]\n\n\n[\/ux_image_box]\n\n[\/col_inner]\n[col_inner span=\"3\" span__sm=\"12\" span__md=\"6\" margin=\"0px 0px 40px 0px\" bg_color=\"rgb(236, 236, 236)\" class=\"colAffiche\"]\n\n[ux_image_box style=\"bounce\" img=\"1840\" image_size=\"original\" image_hover=\"glow\" link=\"http:\/\/www.velvet-film.com\/films\/haitian-corner-1987\/\" text_align=\"left\" text_bg=\"rgb(236, 236, 236)\" text_padding=\"0px 0px 0px 0px\"]\n\n[button text=\"Haitian corner\" style=\"link\" size=\"larger\" link=\"http:\/\/www.velvet-film.com\/films\/haitian-corner-1987\/\" class=\"buttonAffiche\"]\n\n\n[\/ux_image_box]\n\n[\/col_inner]\n\n[\/row_inner]\n\n[\/tab]\n[tab title=\"Films en d\u00e9veloppement\"]\n\n[row_inner style=\"large\" width=\"full-width\" v_align=\"middle\" h_align=\"center\" padding=\"0px 0px 0px 0px\"]\n\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\n\n[ux_text text_color=\"#7a9c59\"]\n\n<h1><span style=\"color: #800080;\">FANON \/ LES CRIS<\/span><\/h1>\n<h3><span style=\"color: #282828;\">Raoul Peck<\/span><\/h3>\n<p><span style=\"color: #800080;\"><em>Fiction<\/em><\/span><\/p>\n[\/ux_text]\n\n[\/col_inner]\n[col_inner span=\"10\" span__sm=\"12\" margin=\"0px 0px 40px 0px\"]\n\n<h2><span style=\"font-size: 95%;\">Synopsis<\/span><\/h2>\n<p style=\"text-align: left;\"><span style=\"font-size: 90%;\">Comme beaucoup d\u2019Antillais de sa g\u00e9n\u00e9ration, en 1944, Frantz Fanon s\u2019est engag\u00e9 \u00e0 18 ans pour la France libre. Il sera d\u00e9cor\u00e9 au champ d\u2019honneur par un certain colonel Raoul Salan, futur g\u00e9n\u00e9ral mutin en Alg\u00e9rie. 8 ans apr\u00e8s, fin 1953, il est m\u00e9decin psychiatre et nomm\u00e9&nbsp;en Alg\u00e9rie \u00ab&nbsp;fran\u00e7aise&nbsp;\u00bb&nbsp;\u00e0&nbsp;&nbsp;l\u2019h\u00f4pital psychiatrique&nbsp;Blida-Joinville.&nbsp;<br \/><\/span><span style=\"font-size: 90%;\">Accompagn\u00e9 de sa jeune femme Josie, il prend ses fonctions&nbsp;dans un contexte marqu\u00e9 de paternalisme et de&nbsp;racisme, o\u00f9&nbsp;les Arabes sont \u00ab&nbsp;scientifiquement&nbsp;\u00bb consid\u00e9r\u00e9s comme une race inf\u00e9rieure.<br \/><\/span><span style=\"font-size: 90%;\">Passionn\u00e9 et impatient, Fanon veut r\u00e9volutionner \u00e0 la fois les mentalit\u00e9s et les m\u00e9thodes de l\u2019h\u00f4pital, en cr\u00e9ant des activit\u00e9s pour tous et en passant par le dialogue et la th\u00e9rapie de groupe.&nbsp;Aid\u00e9&nbsp;de certains de ses jeunes internes,&nbsp;il impose de profonds changements dans la pratique psychiatrique au sein de l\u2019h\u00f4pital, malgr\u00e9 l\u2019opposition de certains m\u00e9decins, alors que&nbsp;les premiers incidents mortels de ce qu\u2019on n\u2019appelle pas encore \u00ab&nbsp;les \u00e9v\u00e9nements&nbsp;\u00bb d\u2019Alg\u00e9rie se multiplient.<br \/><\/span><span style=\"font-size: 90%;\">Fanon&nbsp;se trouve face \u00e0 une spirale de violence qui embrase&nbsp;le pays, puis est confront\u00e9 \u00e0&nbsp;la torture institutionnalis\u00e9e. Les effets psychiques de cette violence,&nbsp;tant sur les bourreaux que sur les victimes, deviennent le point central de ses recherches. Finalement, il va se retrouver devant le choix in\u00e9luctable de devoir s\u2019engager ou de devenir complice.<\/span><\/p>\n\n[\/col_inner]\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\n\n[ux_text text_color=\"#7a9c59\"]\n\n<h1><span style=\"color: #800080;\">NATAN<\/span><\/h1>\n<h3><span style=\"color: #282828;\">Raoul Peck<\/span><\/h3>\n<p><span style=\"color: #800080;\"><em>Fiction<\/em><\/span><\/p>\n[\/ux_text]\n\n[\/col_inner]\n[col_inner span=\"10\" span__sm=\"12\" margin=\"0px 0px 40px 0px\"]\n\n<h2><span style=\"font-size: 95%;\">Synopsis<\/span><\/h2>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 90%;\">Dans les ann\u00e9es 1920-3019, Bernard Natan, un immigrant juif roumain, passe de la mis\u00e8re \u00e0 la richesse. Il rach\u00e8te les studios Path\u00e9, alors en pleine d\u00e9liquescence.<br \/><\/span><span style=\"font-size: 90%;\">Producteur de films inspir\u00e9, gestionnaire hors pair et homme d'affaires visionnaire, il redresse la soci\u00e9t\u00e9 cin\u00e9matographique en difficult\u00e9 et en fait un g\u00e9ant mondial du cin\u00e9ma. Il cr\u00e9e son propre laboratoire \u00ab&nbsp;Rapid Film&nbsp;\u00bb, travaille pour Paramount Pictures, produit une multitude de grands classiques.<br \/><\/span><span style=\"font-size: 90%;\">Mais au lieu d'\u00eatre v\u00e9n\u00e9r\u00e9 comme un titan du cin\u00e9ma, il devient rapidement la victime de la mont\u00e9e de l'antis\u00e9mitisme en France.<br \/><\/span><span style=\"font-size: 90%;\">Natan est confront\u00e9 \u00e0 une campagne vicieuse de diffamation et d'incrimination qui le conduit en prison. Peu apr\u00e8s, lorsque sa citoyennet\u00e9 fran\u00e7aise lui est retir\u00e9e, il est mis dans un train pour Auschwitz et ne reviendra jamais.<\/span><\/p>\n\n[\/col_inner]\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\n\n[ux_text text_color=\"#7a9c59\"]\n\n<h1><span style=\"color: #800080;\">JOVENEL &nbsp;- THE HANDS THAT HELD THE KNIVES<\/span><\/h1>\n<h3><span style=\"color: #282828;\">Raoul Peck<\/span><\/h3>\n<p><span style=\"color: #800080;\"><em>Documentaire<\/em><\/span><\/p>\n[\/ux_text]\n\n[\/col_inner]\n[col_inner span=\"10\" span__sm=\"12\" margin=\"0px 0px 40px 0px\"]\n\n<h2><span style=\"font-size: 95%;\">Synopsis<\/span><\/h2>\n<p><span style=\"font-size: 90%;\">7 juillet 2021. 1h20 du matin. Une vingtaine d'assaillants attaque la r\u00e9sidence du Pr\u00e9sident Jovenel Mo\u00efse, \u00e0 Port-au-Prince. Le Pr\u00e9sident est tu\u00e9 de 12 balles. Le film explore les circonstances qui ont men\u00e9 \u00e0 cet \u00e9v\u00e9nement tragique, ainsi que le contexte international qui a permis un tel drame.<\/span><\/p>\n\n[\/col_inner]\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\n\n[ux_text text_color=\"#7a9c59\"]\n\n<h1><span style=\"color: #800080;\">A FREEDOM TO BUY FOR<\/span><\/h1>\n<h3><span style=\"color: #282828;\">Raoul Peck<\/span><\/h3>\n<p><span style=\"color: #800080;\"><em>Documentaire<\/em><\/span><\/p>\n[\/ux_text]\n\n[\/col_inner]\n[col_inner span=\"10\" span__sm=\"12\" margin=\"0px 0px 40px 0px\"]\n\n<h2><span style=\"font-size: 95%;\">Synopsis<\/span><\/h2>\n<p><span style=\"font-size: 90%;\">La s\u00e9rie raconte l'histoire d'un syst\u00e8me et d'une soci\u00e9t\u00e9 qui ont plac\u00e9 la consommation de biens au centre. C'est l'histoire d'un monde o\u00f9 les marchandises - \u00ab des \u00eatres \u00e0 part enti\u00e8re \u00bb - donnent acc\u00e8s \u00e0 la pl\u00e9nitude, au bonheur et \u00e0 un sentiment d'identit\u00e9 personnelle. C'est l'histoire d'une ali\u00e9nation plan\u00e9taire, qui apporte l'abondance et la richesse \u00e0 certains, mais une vie sans limites en dessous du seuil de subsistance \u00e0 d'autres.<\/span><br \/><span style=\"font-size: 90%;\">C'est l'histoire d'une menace pour la survie de l'humanit\u00e9.<\/span><\/p>\n\n[\/col_inner]\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\n\n[ux_text text_color=\"#7a9c59\"]\n\n<h1><span style=\"color: #800080;\">WELCOME TO PORT-AU-PRINCE<\/span><br><span style=\"font-size: 20.16px;\"><span style=\"color: #282828;\">Raoul Peck<\/span><br><\/span><\/h1>\n<p><span style=\"color: #800080;\"><em>Fiction<\/em><\/span><\/p>\n[\/ux_text]\n\n[\/col_inner]\n[col_inner span=\"10\" span__sm=\"12\" margin=\"0px 0px 40px 0px\"]\n\n<h2><span style=\"font-size: 95%;\">Synopsis<\/span><\/h2>\n<p><span style=\"font-size: 90%;\">\u00c0 la crois\u00e9e de la com\u00e9die noire et du thriller, Le curieux enl\u00e8vement de l\u2019honorable ambassadeur Knox raconte la v\u00e9ritable histoire du rapt de l\u2019ambassadeur des \u00c9tats- Unis par trois rebelles hai\u0308tiens, Anna1 et deux camarades, dans les rues de Port-au- Prince, le 24 janvier 1973. C\u2019est la premi\u00e8re fois qu\u2019un diplomate am\u00e9ricain a \u00e9t\u00e9 s\u00e9questr\u00e9 pour des motifs politiques puis lib\u00e9r\u00e9 (gra\u0302ce \u00e0 l\u2019intr\u00e9pide ambassadeur de France), en \u00e9change d\u2019une ran\u00e7on. C\u2019est aussi la premi\u00e8re fois que, gr\u00e2ce au Mexique, les demandes des rebelles ravisseurs ont \u00e9t\u00e9 satisfaites sans effusion de sang. Les preneurs d\u2019otage, comme les prisonniers politiques qu\u2019ils ont lib\u00e9r\u00e9s, ont tous b\u00e9n\u00e9fici\u00e9 de l\u2019asile politique.<\/span><\/p>\n<p><span style=\"font-size: 90%;\">Une histoire vraie, racont\u00e9e oar les acteurs m\u00eame de cet acte historique.&nbsp;<\/span><\/p>\n\n[\/col_inner]\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\n\n[ux_text text_color=\"#7a9c59\"]\n\n<h1><span style=\"color: #800080;\">UNE AUTRE FRANCE<\/span><br><span style=\"font-size: 20.16px;\"><span style=\"color: #282828;\">Raoul Peck<\/span><br><\/span><\/h1>\n<p><span style=\"color: #800080;\"><em>Documentaire<\/em><\/span><\/p>\n[\/ux_text]\n\n[\/col_inner]\n[col_inner span=\"10\" span__sm=\"12\" margin=\"0px 0px 40px 0px\"]\n\n<h2><span style=\"font-size: 95%;\">Synopsis<\/span><\/h2>\n<p><span style=\"font-size: 90%;\">Ce sont les Am\u00e9ricains qui ont pr\u00e9sent\u00e9 Karim Bouamrane \u00e0 la France, en une du New York Times, pas moins que \u00e7a ! Le maire de St-Ouen, figure de proue d\u2019une nouvelle g\u00e9n\u00e9ration politique \u00e0 gauche, est pourtant tr\u00e8s actif sur le terrain. Un personnage charismatique qui n\u2019est pas seulement un produit de la R\u00e9publique comme on aime \u00e0 dire mais le produit d\u2019une histoire ; une histoire fran\u00e7aise pleine d\u2019espoirs mais qui peine \u00e0 se regarder en face. Loin du portrait d\u2019un seul homme, il s\u2019agit \u00e0 travers lui de porter \u00e0 l\u2019\u00e9cran les dynamiques complexes d\u2019une soci\u00e9t\u00e9 contemporaine fractur\u00e9e certes, mais foisonnante de p\u00f4les d\u2019\u00e9nergie cr\u00e9ative, et de dessiner ainsi, les horizons possibles d\u2019\u00ab Une Autre France \u00bb.<\/span><\/p>\n\n[\/col_inner]\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\n\n[ux_text text_color=\"#7a9c59\"]\n\n<h1><span style=\"color: #800080;\">LUSH LIFE<\/span><br><span style=\"font-size: 20.16px;\"><span style=\"color: #282828;\">Raoul Peck<\/span><br><\/span><\/h1>\n<p><span style=\"color: #800080;\"><em>Fiction<\/em><\/span><\/p>\n[\/ux_text]\n\n[\/col_inner]\n[col_inner span=\"10\" span__sm=\"12\" margin=\"0px 0px 40px 0px\"]\n\n<h2><span style=\"font-size: 95%;\">Synopsis<\/span><\/h2>\n<p><span style=\"font-size: 90%;\">C'est l'une des derni\u00e8res grandes histoires de collaboration musicale am\u00e9ricaine, de rivalit\u00e9 cr\u00e9ative stimulante et d'amiti\u00e9 qui n'a pas encore \u00e9t\u00e9 racont\u00e9e \u00e0 l'\u00e9cran. C'est l'histoire d'une histoire d'amour musicale entre un innovateur de jazz am\u00e9ricain de renomm\u00e9e mondiale, Duke Ellington, et son compagnon cr\u00e9atif peu reconnu, Billy Strayhorn, un g\u00e9nie de l'\u00e9criture et de l'arrangement de chansons de jazz dans l'ombre d'Ellington.<\/span><\/p>\n<p><span style=\"font-size: 90%;\">C'est aussi l'histoire de la relation \u00e9troite et durable des deux hommes avec l'interpr\u00e8te Lena Horne. Cette histoire r\u00e9unit tous les ingr\u00e9dients explosifs d'un triangle amoureux passionnant et surtout, et tout le temps, de la musique. Un film pour aujourd'hui, con\u00e7u pour s'adresser \u00e0 un public large et jeune.<\/span><\/p>\n\n[\/col_inner]\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\n\n[ux_text text_color=\"#7a9c59\"]\n\n<h1><span style=\"color: #800080;\">TWO MEN IN A BOTTLE<\/span><br><span style=\"font-size: 20.16px;\"><span style=\"color: #282828;\">Raoul Peck<\/span><br><\/span><\/h1>\n<p><span style=\"color: #800080;\"><em>Documentaire<\/em><\/span><\/p>\n[\/ux_text]\n\n[\/col_inner]\n[col_inner span=\"10\" span__sm=\"12\" margin=\"0px 0px 40px 0px\"]\n\n<h2><span style=\"font-size: 95%;\">Synopsis<\/span><\/h2>\n<p><span style=\"font-size: 90%;\">\"Two Men in a bottle\" raconte l'histoire m\u00e9morable du c\u00e9l\u00e8bre musicien et po\u00e8te Gil Scott-Heron et de son ami Brian Jackson, deux musiciens r\u00e9volt\u00e9s qui se rencontrent \u00e0 l'universit\u00e9 en 1970 \u00e0 un moment charni\u00e8re dans les changements politiques et sociaux aux USA.&nbsp;<\/span><\/p>\n<p><span style=\"font-size: 90%;\">Leur musique devient rapidement la bande sonore des luttes contre l'injustice.&nbsp;<\/span><\/p>\n<p><span style=\"font-size: 90%;\">Toutefois, leur succ\u00e8s grandissant les am\u00e8ne \u00e0 se heurter aux dures r\u00e9alit\u00e9s de l'industrie musicale, laquelle fera tout pour briser leur relation et leurs vies.&nbsp;<\/span><\/p>\n<p><span style=\"font-size: 90%;\">L'histoire, racont\u00e9e par Brian Jackson, qui a lui surv\u00e9cu, est une radiographie de toute une g\u00e9n\u00e9ration.&nbsp;<\/span><\/p>\n\n[\/col_inner]\n\n[\/row_inner]\n\n[\/tab]\n\n[\/tabgroup]\n\n[\/col]\n\n[\/row]\n\n[\/section]\n\n<!-- \/wp:flatsome\/uxbuilder -->","_fr_post_name":"films-de-raoul-peck-velvet-film","_fr_post_excerpt":"","_fr_post_title":"Films","_en_post_content":"[section class=\"imageBanner\" bg=\"647\" bg_size=\"original\" bg_pos=\"100% 52%\" padding=\"60px\" height=\"550px\"]\r\n\r\n[\/section]\r\n[section 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link=\"http:\/\/www.velvet-film.com\/en\/films\/lumumba-death-of-a-prophet\/\"]\r\n\r\n[\/ux_image_box]\r\n\r\n[\/col_inner]\r\n[col_inner span=\"3\" span__sm=\"12\" span__md=\"6\" margin=\"0px 0px 40px 0px\" bg_color=\"rgb(236, 236, 236)\" class=\"colAffiche\"]\r\n\r\n[ux_image_box style=\"bounce\" img=\"1840\" image_size=\"original\" image_hover=\"glow\" link=\"http:\/\/www.velvet-film.com\/en\/films\/haitian-corner\/\" text_align=\"left\" text_bg=\"rgb(236, 236, 236)\" text_padding=\"0px 0px 0px 0px\"]\r\n\r\n[button text=\"Haitian corner\" class=\"buttonAffiche\" style=\"link\" size=\"larger\" link=\"http:\/\/www.velvet-film.com\/en\/films\/haitian-corner\/\"]\r\n\r\n[\/ux_image_box]\r\n\r\n[\/col_inner]\r\n\r\n[\/row_inner]\r\n\r\n[\/tab]\r\n[tab title=\"Upcoming films\"]\r\n\r\n[row_inner style=\"large\" width=\"full-width\" v_align=\"middle\" h_align=\"center\" padding=\"0px 0px 0px 0px\"]\r\n\r\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\r\n\r\n[gap height=\"45px\"]\r\n<h1>ENFANT UNIQUE<\/h1>\r\n<h3>Linbo Wang<\/h3>\r\n[\/col_inner]\r\n[col_inner span=\"10\" span__sm=\"12\" align=\"left\"]\r\n<h2>Synopsis<\/h2>\r\nIn 2016, China officially abolished the one-child policy that had existed since 1980. With this film, I will tell the true story of my birth. I will try to reconstruct this reality while proposing a broader story than mine ... 1984. The one-child policy is at its peak in China. Yet Ya is pregnant with a second child. Ya is a teacher and Zhou is a country doctor. She and her husband find a pretext to go to Shanghai (400 km from their home), in order to escape gynecological control. Under this national policy, city inhabitants can only have one child, while peasants are allowed to have a second child if their first is a girl. This is the case of Zhou and Ya. But their district imposes an extremist policy: city or countryside, only one child. He, the village chief does everything to know where Ya is and will denounce her if she is pregnant. Ya hides in different locations, while Zhou tells everyone that she stayed in Shanghai. The child-policy controllers are quickly threatening Zhou and Ya to arrest them and their family members and they conduct extensive searches throughout the region. Ya must go through several hiding places. When Ya reappears, the controllers come to her house immediately with He. They force her to go to the city to have an abortion. She and Zhou are cooperative in going to the hospital. With the help of doctors and friends, Ya escapes abortion in extremis. In front of fifty controllers, Zhou is doing everything to delay Ya's presentation to the committee, the latter being in her eighth month of pregnancy. In their house, Zhou provokes the birth of Ya, who gives birth to a boy. As a result, they will be fired from their jobs and will work as peasants for three years, until, after several petitions, Beijing will allow Ya and Zhou to resume their posts.\r\n\r\n[\/col_inner]\r\n\r\n[\/row_inner]\r\n[row_inner style=\"large\" width=\"full-width\" v_align=\"middle\" h_align=\"center\" padding=\"0px 0px 0px 0px\"]\r\n\r\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\r\n\r\n[gap height=\"70px\"]\r\n<h1>LE VOYAGE<\/h1>\r\n<h3>Ines Eshun<\/h3>\r\n[\/col_inner]\r\n[col_inner span=\"10\" span__sm=\"12\" margin=\"0px 0px 40px 0px\"]\r\n<h2>Synopsis<\/h2>\r\nPresent day Brussels, winter. GEORGE (62), a man with West-African roots, lives in the streets. His daily life is a harsh reality, trying to stay warm, find food and places to sleep. Meanwhile CLARA (30), a young woman of mixed descent, lives an independent life in the same city. She has a good job as an architect in an up-and-coming firm, friends and occasional lovers. \u2028\u2028One morning, after waking up in a shelter, George gets caught up in a fight and arrested. When the police find out George is illegal, he is sent to a detention centre for immigrants. The government wants to deport him. A social worker discovers that George has been in Europe for 35 years and that he has a Belgian daughter with whom he is not in contact. The social worker contacts George\u2019s daughter. Her name is Clara...\r\nGrowing up with her mother, Clara never knew who her father was. Called to the deportation centre, she is told that George is her father. It becomes clear to George that his options to stay in the country are running out. Clara has to struggle with her daily life (the major project she is working on is endangered) while accepting the truth about her father. At the deportation centre, a Congolese man hung himself. A riot breaks out; George participates. Clara comes to visit her father and see how she can help him but is denied access due to the riot. She leaves, not knowing if she will be able to see George again before the deportation. Clara confronts her mother TANIA (49) about the past. A family secret comes out: even though George and Tania were in love, under the pressure of Clara's xenophobic grandparents, the contact between George and Clara was broken, with catastrophic results for George. The day of the deportation, Clara comes to the airport looking for George. She finds him; they are able to see each other. Clara stays behind in the customs, powerless while George boards his flight.\r\n\r\n[\/col_inner]\r\n\r\n[\/row_inner]\r\n[row_inner style=\"large\" width=\"full-width\" v_align=\"middle\" h_align=\"center\" padding=\"0px 0px 0px 0px\"]\r\n\r\n[col_inner span__sm=\"12\" margin=\"30px 0px -1px 0px\" align=\"center\"]\r\n\r\n[gap height=\"70px\"]\r\n<h1>FANON \/ LES CRIS<\/h1>\r\n<h3>Raoul Peck<\/h3>\r\n[\/col_inner]\r\n[col_inner span=\"10\" span__sm=\"12\" margin=\"0px 0px 40px 0px\"]\r\n<h2>Synopsis<\/h2>\r\nLike many West Indians from his generation, in 1944, Frantz Fanon left his island to join the troops of \u201cLa France Libre\u201d at only 18 years old. He will be granted a medal for his achievements in the field of honour, from the hands of Raoul Salan, a military general who will later serve in Algeria and join a mutiny. By the end of 1953, Fanon is a psychiatric doctor and is nominated at the Blida Hospital, in French Algeria. With his young wife Josie, he settles in the hospital complex and starts his work in a context marred with paternalism and racism, where doctors consider the Arabs as \u201cscientifically inferior\u201d. Passionate and impatient, Fanon wants to revolutionise both mentalities and methods in the psychiatric asylum, by launching common activities for patients and medics, though more dialogue and group therapy. With the help of a few of his young junior doctors, he profoundly changes the practice at the hospital, despite the opposition of others doctors, while, a few months later, the first violent incidents of what will become the \u201cAlgerian War\u201d are increasingly multiplying. Fanon is absorbed in a spiral of violence and has to deal with the consequences of the use of torture by both the French army and the Algerian freedom fighters. The psychological effects of this level of violence, on both sides, become the central point of his research. Finally, he will have to choose between a total engagement for the Algerian rebellion or complicity with the French system. Threatened to death by the radicals of French Algeria and unable to adequately pursue his medical duty, he will decide to quit his position and to join the FLN, the Algerian National Liberation Front. Suddenly stricken with leukaemia, he will die at 36 years old, only a few months before Algeria gains its independence, and just after achieving his masterpiece, the essay The Wretched of the Earth, which will establish him as one of the greatest thinkers of the decolonisation movement.\r\n\r\n[\/col_inner]\r\n\r\n[\/row_inner]\r\n\r\n[\/tab]\r\n\r\n[\/tabgroup]\r\n\r\n[\/col]\r\n\r\n[\/row]\r\n\r\n[\/section]","_en_post_name":"films","_en_post_excerpt":"","_en_post_title":"Films","edit_language":"en","footnotes":""},"class_list":["post-36","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Films - Velvet Film<\/title>\n<meta name=\"description\" content=\"VELVET FILM - Films de Raoul Peck\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.velvet-film.com\/en\/films\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Films - 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